Natalija Majsova
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How to Historicize Creative Computing in the Post-Yugoslav space? A Conference Report by Natalija Majsova and Jasmina Šepetavc
The 3rd GRADE Conference took place in Belgrade, Serbia, on March 13-14, 2025. Hosted by the Mathematical Institute…
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MEMPOP Rijeka Workshop
From May 15 to 17, 2025, the Faculty of Humanities and Social Sciences in Rijeka (FFRI) will host…
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Round Table with Natalija Majsova: How Wise is it to Use Smart Gadgets for Memory-Keeping?
In mid-December, the Slovenian Press Agency hosted a discussion exploring how the ways people preserve memories are changing…
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From Tradition to Contemporary: ‘Alpenecho’ Monograph Launch Highlights Slovenian Folk-Pop
We are republishing an article entitled ‘Glasba za zabavo kot dediščina’ from the Slovenian newspaper Dnevnik, written by…
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MEMPOP PI Natalija Majsova Received an Award for Outstanding Contributions to Enhancing the Reputation of the Faculty
We are republishing a news piece from the official Department of Cultural Studies (Faculty of Social Sciences, University…
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International Symposium ‘Film Festivals: Borders, Identities, Solidarities’ in Venice: Panel by Natalija Majsova, Jasmina Šepetavc, and Boris Ružić
On November 4-6, 2024, Ca’ Foscari University of Venice organized an international symposium titled “Film Festivals: Borders, Identities,…
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Engagement and Memory Work in Post-Yugoslav Film Cultures: A Look at Kino! with Natalija Majsova
The journal Kino! has published an article Engagement and Memory Work in Post-Yugoslav Film Cultures: Reflections, Refractions, and…
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Natalija Majsova and Jasmina Šepetavc at the Symposium ‘Conference War and Peace on Screen’, Ljubljana
On September 24 and 25, 2024, the Academy of Theatre, Radio, Film, and Television at the University of…
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MEMPOP Kick off Meeting
November 18, 2023 MEMPOP officially kicked off with a workshop at the University of Rijeka! Popular culture informs…
Alpenecho: Slovenska narodnozabavna glasba v sodobnih kulturnih, političnih in medijskih kontekstih
A monograph exploring Slovenian popular music as a highly modern and contemporary phenomenon, despite its renowned traditional roots
